One old beech tree in the woods |
Tuesday, January 10,
1-2:15 p.m.
Unseasonably warm weather
returned and continues, with blue skies and near-balmy temperatures. The
afternoon sun reaches into all parts of Claudia’s Woods, its low winter angle
casting long shadows but also striking the leaf litter with warm light. The
southeast corner of this small woods is bordered on two sides, south and east,
by cherry orchard. At the south border is a wild apple tree, the ground beneath
littered with windfall fruit partially eaten by wildlife. To the east, in space
formerly occupied by a farm lane, is a large brush pile, surely sheltering
rabbits. The woods rises uphill from the brush pile, and a just-visible logging
road climbs up and wanders off through the woods.
Deep into the woods there are
no birches or popples. Venerable beeches and maples (the latter somewhat
smaller in circumference, perhaps because the largest have been timbered off)
are the largest trees, and now, in winter, the space between trees seems
strangely spacious. (In summer the space will be filled by leafy seedlings and
saplings, wildflowers, vines and shrubs.) On the ground, a breeze whispers
through the brittle, dessicated beech leaves. It sounds almost like small
animals skittering through the leaves. Dry leaves still attached to branches
tremble noiselessly, and the upper reaches of the trees move slowly,
gracefully, in the wind, their degree of movement varying according to their
height and size: the smaller maples’ whole trunks sway, while only the topmost
crowns of the beeches are moved.
From the distance comes
muffled highway noise. In the middle distance, closer but beyond the woods,
crows call. A dull engine roar nearby interrupts the stillness. A tractor? No,
there it is—an ATV with two riders. Along the south edge of the woods it goes
before disappearing.
No birds show themselves, but
once a while one is audible. The first to announce itself utters one short
note, then repeats the same note and lets it fall in a glissando. Another bird
has two distinct notes, the second a whole step below the first. A third’s
voice is a trilling coo. (Beyond, the crows....)
The breeze falls still in the
ground-covering leaf litter but continues to move at higher levels. There is a
time delay between the air moving below and the treetops swaying above,
different horizontal time zones.
On the edge of the woods
along the former lane, canes of thimbleberry still bear dark green leaves. On
the ground beneath the tall maples and beeches are bright green patches of
moss, a few green ferns (splayed flat on the dry leaves), and hopeful spring
beauty plants ready either to rush the season or lie low, whichever the weather
may indicate in days ahead.
From the southwest comes a
sudden, brief canine chorus. The yipping and howling sounds like coyotes, but
the deep baying is more like a dog. When the voices fall silent, they do not
start up and sing again.
Perhaps those voices agitated
a pair of grey squirrels at the eastern edge of the woods, suddenly active and
noisy. They climb, race, scold, chase. After the grey squirrels disappear, one
small red squirrel begins to chatter and scold, nervously, anxiously, angrily.
Up one tree, out on a branch, back to the other side of the tree (not realizing
that his shadow still gives him away), down to the ground and up another tree
he races, and so on and so on. Constant motion. Never still for two consecutive
moments, the squirrel’s body is always a graceful curve, the tail a second
curve. Two curves: that is a squirrel.
Shadows shift in the course
of an hour. Overhead branches criss-cross in black lines against the blue of
the sky, the effect a kind of visual cacaphony with no ordered pattern, but
shadows of tree trunks do fall into a pattern, each parallel to the next, all
stretching to the north and slightly east.
5 comments:
Different horizontal time zones - and two curves: that is a squirrel. This is a good place to visit.
And you draw?!?! Lovely...
Being there, seeing, and holding the memories are more important to me in this project than drawing, but yes, Helen, drawing was something I took up during our Florida winters, when I had stretches of uninterrupted time, and it seems appropriate to stillness and seeing. But Gerry, as a drawing my squirrel--what can I say? I need practice drawing squirrels, obviously. What I do like about the little sketch is its spontaneity. You can see I did not labor over it but went for the basic shape and pose. Sometimes my drawings are far too labored.
"logging road climbs up and wanders off through the woods." I like that bit...so visual for me, but such a unique way to describe a road. And I love the squirrel, we knew right away what it was, and the spontaneity of the drawing depicts the spontaneity of the squirrel.
This is such a good idea, to take an hour a week to sit and observe in a place you love. So much more a deliberate, deeper experience then most of us take the time to achieve.
Dawn, I have several new guides for this year's journey. One I was reading last night is THE ART OF FIELD SKETCHING, by Clare Walker Leslie, and in that I learned the name for how I drew the squirrel: it is a 'gesture sketch,' the quickest kind to do. I will write more about drawing and sketching on my other blog soon.
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